By Juan F. Egea,Juan Egea
Egea starts his research with normal Franco's dictatorship within the 1960s—a regime that opened the rustic to new monetary forces whereas conserving its repressive nature—exploring key works by way of Luis García Berlanga, Marco Ferreri, Fernando Fernán-Gómez, and Luis Buñuel. darkish Laughter then strikes to the 1st motion pictures of Pedro Almodóvar within the early Eighties throughout the Spanish political transition to democracy earlier than interpreting Alex de l. a. Iglesia and the hot darkish comedies of the Nineties. interpreting this more youthful iteration of filmmakers, Egea strains darkish comedy to Spain's screens of ultramodernity reminiscent of the common Exposition in Seville and the Barcelona Olympic Games.
At its middle, darkish Laughter is a considerable inquiry into the epistemology of comedy, the intricacies of visible modernity, and the connection among cinema and a much wider framework of representational practices.
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Extra info for Dark Laughter: Spanish Film, Comedy, and the Nation (Wisconsin Film Studies)
Dark Laughter: Spanish Film, Comedy, and the Nation (Wisconsin Film Studies) by Juan F. Egea,Juan Egea