By Christopher Dowd
This booklet examines the advance of literary structures of Irish-American identification from the mid-nineteenth century arrival of the Famine iteration in the course of the nice melancholy. It is going past an research of adverse Irish stereotypes and indicates how Irish characters turned the location of severe cultural debate relating to American id, with a few writers imagining Irishness to be the antithesis of Americanness, yet others suggesting Irishness to be a route to Americanization.
This examine emphasizes the significance of contemplating how a feeling of Irishness used to be imagined by way of either Irish-American writers aware of the method of self-definition in addition to non-Irish writers aware of transferring cultural matters concerning ethnic others. It analyzes particular iconic Irish-American characters together with Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, in addition to lesser-known Irish monsters who lurked within the American mind's eye similar to T.S. Eliot’s Sweeney and Frank Norris’ McTeague.
As Dowd argues, in modern American society, Irishness has been principally absorbed right into a homogenous white tradition, and for this reason, it has develop into a mostly invisible ethnicity to many smooth literary critics. Too usually, they just don't see Irishness or don't imagine it suitable, and for that reason, many Irish-American characters were de-ethnicized within the serious literature of the previous century. This quantity reestablishes the significance of Irish ethnicity to many characters that experience emerge as misinterpret as generically white and indicates how Irishness is essential to their stories.
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The Construction of Irish Identity in American Literature (Routledge Transnational Perspectives on American Literature) by Christopher Dowd